Call for Papers: African Film Conference, Fall 2007,
11/07
Call for Papers
African Film Conference, Fall 2007
Abstract submission deadline: May 31, 2007
Conference date: November 9-10, 2007
Place: Center for African Studies
University of Illinois, Urbana-Champaign
The African film conference in Urbana-Champaign will explore how an appreciation of
films as mode of expression and form can be combined with an understanding of their
content. Cinema has a more pronounced public dimension than some of the other arts; it
creates an audience and depends on it for its survival, and filmmaking itself can be
situated within the history, economy, politics, and broader cultural trends of
postcolonial Africa. The conference will aim to foster a dialogue between film scholars,
critics, and the social science interpreters, users, and enthusiasts of African films, and
will try to achieve, among other things, a greater sensibility for film as a medium among
the latter. We seek abstracts from scholars and writers interested in participating in
this project.
We invite contributions on thematic and stylistic development in African filmmaking and
on the way the films reflect and feed upon urban popular culture. A subset of related
themes involve the connections to international film making styles or to the ethnographic
and documentary film traditions, including considerations of emerging regional and
national styles within Africa. We would like to see sober and carefully documented studies
of continuity with older African verbal, dramatic, and visual arts, or of the emergence in
film of new expressive manners breaking away from them. Film music and soundtracks, the
use of traditional and popular musical genres in the films, the influence of international
film scores, and a documentation of the impetus that films give to national musical
composition could enrich our reflection on modern Africa. Who the domestic audiences of
these films are, the reactions of these audiences to the films, and the training and
careers of African directors and actors can as well bear more sustained attention. Of
particular interest to us are the popular film and video industries on which relatively
little gets written, for example the one in Nigeria. Finally, our understanding of the
subject matter and the style of African films can be deepened by an understanding of the
broader political economy of the African film industries, the role of public and private
financing from home and abroad, the share in revenue of domestic and export markets, the
initiatives for co-production or the sharing of post-production facilities, among African
countries and between them and the countries of the north.
Please send abstracts of 250-300 words to either one of us, by e-mail or by post.
Mahir Saul
Department of Anthropology
University of Illinois
Davenport Hall
607 S. Mathews Ave.
Urbana, IL 61801
m-saul@uiuc.edu
Ralph Austen
Department of History
University of Chicago
Pick Hall 214
5828 S. University Avenue
Chicago IL 60637
wwb3@uchicago.edu
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